清雍正 宝石蓝粉彩描金夏趣图盘
Qing Yongzheng Gem Blue Pink Drawing Gold Summer Drawing
此藏品来自于一位藏友收藏，此图盘四件一套，春夏秋冬四季图盘，目前征得藏友同意之后，夏趣及冬韵盘，宣传展示。盘口径12.2cm，保存相当完好，雍正蓝料楷书四字款，胎薄晶莹剔透，施釉饱满。宝石蓝釉，釉上加彩，盘口及所有纹饰描金，单色釉的基础上施粉彩。荷花纹饰图案栩栩如生，一笔一透，肉眼能见，工艺极其复杂，成品精美程度达到了极高的水准。器型及工艺都符合雍正时期的特征，经鉴定为雍正当代官窑瓷具。
This collection comes from a collection of Tibetan friends, this plate four pieces a set, spring, summer, autumn and winter four seasons atlas, now with the consent of Tibetan friends, summer interest and winter rhyme plate, publicity display. Disk caliber 12.2 cm, quite intact, Yongzheng blue regular script four-character, thin crystal clear, full glaze. Gem blue glaze, glaze color, plate mouth and all ornaments painted gold, monochrome glaze on the basis of powder. Lotus patterns lifelike, a stroke, visible to the naked eye, extremely complex technology, exquisite finished products reached a very high level. The shape and technology are in line with the characteristics of Yongzheng period, identified as Yongzheng contemporary official kiln porcelain.
粉彩始创于康熙，极盛于雍正。康熙晚期在珐琅彩瓷制作的基础上，景德镇窑开始烧制粉彩瓷，但制作较粗，仅在红花的花朵中运用粉彩点染，其他纹饰仍沿用五彩的制作。主要发现有两个品种：一是白地粉彩器；一是绿、黄、紫三彩瓷上加有胭脂红（金红）彩。到了雍正朝，无论在造型、施釉和彩绘方面，粉彩瓷均得到了空前的发展。
Pink color was founded in Kangxi, extremely prosperous in Yongzheng. In the late Kangxi period, on the basis of enamel porcelain, Jingdezhen kiln began to burn pink porcelain, but the production was thicker, only in the flowers of safflower use pink spot dyeing, other ornaments still use multicolored production. There are two main varieties found: one is white powder, the other is green, yellow, purple three-color porcelain with carmine (gold) color. To Yongzheng dynasty, no matter in modeling, glaze and painting, pink porcelain has been unprecedented development.
宝石蓝创烧于元代景德镇窑，明代宣德年间与祭红、甜白并列为当时颜色釉的上品。属于高温失透釉，以氧化钴为呈色剂，在生坯上挂釉，成色稳定。康熙时宝石蓝釉釉面有桔皮棕眼和气泡，分布比较均匀。也有的釉面出现垂流状。康熙和雍正年间的蓝釉都是仿明代宣德的品种，以盘、碗为仿制品。乾隆前期与康、雍差不多。而后期却更精致了。
Gem blue was created in the kiln of Jingdezhen in Yuan Dynasty. During the period of Xuande in Ming Dynasty, red and sweet white were listed as the top products of color glaze at that time. It belongs to high temperature impermeable glaze, with cobalt oxide as color agent, hanging glaze on raw billet, stable color. During Kangxi, the blue glaze of gemstones had orange peel brown eyes and bubbles, and the distribution was more uniform. There are also glaze vertical flow. Kangxi and Yongzheng years of blue glaze are imitation of the Ming Dynasty Xuande varieties, dishes, bowls as imitation. Qianlong period and Kang, Yong similar. And later is more refined.
釉上粉彩，陶瓷加彩装饰的一种。又称“炉彩”。所谓釉上彩，就是先烧成白釉瓷，或者烧成单色釉瓷，也可以烧出多色彩瓷，在这样的陶瓷上进行彩绘后，再入窑经600摄氏度至900摄氏度温度烘烤而成。釉上彩绘瓷历史久远。北齐武平六年（公元575年）范粹墓就曾出土相当精美的白彩绿彩器，在许多晋青器上也能看到赫彩点饰。其后宋代磁州窑又将这一工艺技术发扬光大，创作出许多不朽的旷世杰作。金至元代磁州窑红绿彩开创了明代五彩瓷的先河，到了明中、晚期的成化、嘉靖、万历时期，五彩瓷的制作达到了极高水准。但是真正精细且又具有美感的彩器仍要数清代康、雍、乾三朝的五彩及粉彩器了。
Glazed pink, ceramic color decoration of a kind. Also known as "furnace color ". The so-called glaze color, is first burned into white glaze porcelain, or burned into monochromatic glaze porcelain, can also burn out multicolor porcelain, in such ceramics for painting, and then into the kiln after 600 degrees Celsius to 900 degrees Celsius temperature baking. The painted porcelain on glaze has a long history. In the six years of Wuping in the Northern Qi Dynasty (AD 575), Fan Quintui's tomb was unearthed with quite exquisite white color and green color, and be seen on many Jin Qing artifacts. After the Song Dynasty, the Cizhou kiln carried forward this technology and created many immortal masterpieces. From Jin to Yuan Dynasty, the red and green color of Cizhou kiln opened the Ming Dynasty The first multicolored porcelain, to the middle and late Ming Dynasty, Jiajing, Wanli period, the production of multicolored porcelain reached a very high level. But the real fine and aesthetic color still has to count the Qing Dynasty Kang, Yong, Qian three dynasties multicolored and pink color.
这件藏品集粉彩，宝石蓝釉 ，粉彩描金三种工艺于一身，目前在所记载的资料中，还没有发现类似藏品，其珍惜度可见非一般藏品所能比拟，这也是第一次公开面世参与的拍卖活动销售，收藏价值及增值空间可见一般。
The collection consists of three processes: pink, gem blue glaze and pink gold. At present, no similar collection has been found in the recorded materials. This is also the first public participation in the auction sales, collection value and value-added space can be seen in general.
